How did Herman Teirlinck help revitalize Flemish theatre in the 1920s?

In the 1920s, Herman Teirlinck played a pivotal role in revitalizing Flemish theatre by introducing the concept of "total theatre." This innovative approach integrated diverse elements, including dance, mime, music, and cinematic effects, while incorporating echoes of medieval miracle plays.1

Beyond his creative contributions as a playwright—with notable works such as De vertraagde film (1922) and De man zonder lijf (1925)—Teirlinck significantly elevated the standards of the Flemish Popular Theatre. He was instrumental in advancing the quality of playwriting and demonstrated a dedicated interest in the professional training of actors, which helped transform the Flemish stage into one of the most original and prominent avant-garde theatres in Europe during that era.12