How did Arlene Croce contribute to dance criticism through The New Yorker and Ballet Review?

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Classic performance — dance criticism Dance criticism analyzes all forms of dance, including classic pieces such as *Swan Lake*, to enhance the understanding of the art form.

Arlene Croce was a highly influential figure in 20th-century dance criticism, recognized as an extraordinary stylist. Her contributions to the field were primarily defined by her work at The New Yorker, where she served as a dance critic from 1973 to 1996.1

In addition to her writing, Croce played a significant role in expanding the landscape of dance journalism by founding the specialty publication Ballet Review in 1965. This journal provided a platform for serious writing about dance and remained in operation until 2020. Through these outlets, Croce helped shape the discourse around dance, establishing herself as a prominent voice in the arts community.12