How did April Greiman use collage, colour, and video imagery in postmodern graphic design?

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Graphic design Scene from the Egyptian Book of the Dead.

April Greiman was a pivotal figure in postmodern graphic design, known for rejecting rigid Modernist grids in favor of subjective and experimental compositions.1

Her approach to these elements included:

Collage: Greiman utilized complex montages that layered diverse materials. A notable example is her 1979 cover for WET magazine, which integrated a colour photocopy of Rick Nelson with various magazine clippings and Japanese papers.1
Colour: She frequently employed airbrushed colour blends to unify her collaged elements, creating vibrant, cohesive designs that captured the cultural energy of southern California.1
Video Imagery: Greiman was an early innovator in bridging the gap between digital and print media, actively exploring the application of video imagery to print graphics.1

By combining these techniques, Greiman disrupted traditional design expectations, helping to define the postmodern aesthetic through dynamic spatial arrangements and a rejection of the "form-follows-function" philosophy.1