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How did Alan Duffās Once Were Warriors differ from the work of Patricia Grace and Witi Ihimaera?
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New Zealand literature
Front cover of the Spiral Press first edition of Keri Hulme's The Bone People (1983).
Alan Duffās Once Were Warriors (1990) represents a significant ideological departure from the works of Patricia Grace and Witi Ihimaera within New Zealand literature.
The primary differences lie in their perspectives on the causes of and solutions to the challenges faced by the MÄori people:
- Responsibility and Agency: While Grace and Ihimaera often highlight the damaging effects of colonialism and racism, attributing MÄori misfortunes to external PÄkehÄ (European) influence, Duff argued that MÄori must take personal responsibility for their own failures. He advocated for integration, education, and individual accountability as the primary paths to salvation.1
- Tone and Representation: Duff was critical of his fellow MÄori writers, accusing them of sentimentalizing MÄori life. In contrast, works by Grace and Ihimaera, such as Cousins and Bulibasha, generally present positive images of MÄori communities who, despite being harmed by historical injustices, are actively fighting back and maintaining their cultural identity.1
- Thematic Focus: Duffās writing often centers on cycles of violence and despair, positioning his own background and the adoption of Western intellectual values as a means of escape, whereas Grace and Ihimaera frequently emphasize communal relationships, intergenerational history, and the preservation of MÄori cultural values.12